Some are recovered by their single mothers and put to work.
Kids grow up poor, lucky if they are lodged in orphanages. So there is a single-parent dimension to this underclass. They are into relationships by 17, and may or may not marry their girlfriends when they get pregnant. Young men have to start working by 15, usually in low-wage jobs. In a long Facebook note, a Tamil Malaysian, Visithra Manikam, says that the poorer segment of the community continues to earn very little in a recurring cycle of poverty. It shows the susceptibility of Tamil youth to violence and drugs, and their vulnerability in a social structure that makes it tough for them to get jobs. The movie shows how hard it is for Tamils to gain an education in Malaysia. Kabali addresses three major concerns of Tamils in Malaysia – their desire for freedom from slavery, social dignity, and equal pay. Rajini’s movies aren’t known for portentous storylines.įans watch Rajinikanth movies for his style and charisma, his ability to outwit opponents, his celebration of the rags-to-riches story, and his care for family values. The rest are movies for the masses with Chuck Norris-style action sequences, emotional family drama, and a moral to end it all. There are few Rajini movies with a very strong storyline – like Thalapathi (Commander), or Padayappa. But talk to any Rajini fan most of his movies are like that. These reviews made much of two aspects of the film: its two-and-a-half-hour duration and its meandering story line. While the movie is unarguably long, it certainly does not warrant the acerbic putdowns from North India. He fights for dignity and equal pay for equal work. Rajinikanth plays an ageing crime lord in Kabali – one who uses his power to do good to the Tamils in Malaysia.
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